Decibels are everywhere: on headphone boxes, workplace posters, and city ordinances. Yet they’re often misunderstood. The most important thing to know is that decibels are logarithmic, not linear. That single fact explains why you can’t add dB values the way you add inches, and why a 10 dB change feels like a big leap.
What a decibel really measures
A decibel expresses a ratio. For sound pressure level (SPL), the reference is 20 µPa, about the threshold of human hearing at 1 kHz. When your meter shows 60 dB, it means the measured pressure is 103 times the reference in terms of power (because 10 dB = 10× power; 20 dB = 100×; 30 dB = 1,000×). The formula is L = 20·log10(p/p₀) for pressure and L = 10·log10(P/P₀) for power.
Loudness vs level
Level is the physical quantity in dB. Loudness is perception. A rough psychoacoustic rule is that a 10 dB increase sounds about twice as loud to many listeners in mid frequencies. That’s why 70 dB can feel much louder than 60 dB, even though the numbers look close. Frequency also matters: bass may measure high on dB(C) but seem less harsh than the same number in dB(A).
Why you shouldn’t add decibels directly
Because dB are logarithmic, two equal sources don’t double the decibels—they add about 3 dB. Two 70 dB fans together measure roughly 73 dB. To combine sources properly, convert each level to linear power (10^(L/10)), add the powers, then convert back with 10·log₁₀(). The closer the levels are, the bigger the increase; add a source that’s 10 dB lower than the first and the increase is under 0.5 dB.
Weighting matters: A, C, and Z
Meters can apply frequency weightings to mimic hearing or to examine the full spectrum. A-weighting (dB(A)) reduces bass, approximating human sensitivity. C-weighting (dB(C)) keeps more low frequencies, useful for concerts or machinery. Z-weighting (dBZ) is essentially flat. When comparing numbers, make sure you’re comparing the same weighting, or you’ll draw the wrong conclusions.
Common pitfalls and how to avoid them
- Assuming linearity: Treating dB like inches leads to overestimates of combined noise.
- Ignoring distance: In open spaces, every doubling of distance reduces level ~6 dB; rooms behave differently.
- Confusing loudness with annoyance: A low, steady rumble may measure high but feel less irritating than a sharp tone.
- Comparing different weightings: dB(A) vs dB(C) can differ by 10+ dB for bass‑heavy sound.
- One‑point measurements: Move the microphone—small shifts can yield useful cross‑checks.
Worked example: three appliances
Suppose you measure a dishwasher at 55 dB, a microwave at 60 dB, and a vent hood at 58 dB at the cooking position. Convert: 55→316k, 60→1,000k, 58→631k (arbitrary power units). Sum ≈ 1,947k. Convert back: 10·log₁₀(1,947k) ≈ 62.9 dB. Notice how the 60 dB appliance dominates.
Takeaways
Think in ratios, match weightings, consider distance, and combine sources the right way. With those habits, the numbers on your meter will start to make real‑world sense.