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Combining Sound Sources the Right Way

Learn to add dB correctly with realistic scenarios and the math behind the calculator.

One of the most common questions is, “If device A is 65 dB and device B is 68 dB, what’s the total?” The answer depends on logarithms, not simple addition. This post demystifies the process with rules of thumb and a method you can use in under a minute.

Why logarithms?

Sound levels represent ratios; the scale compresses a huge range into manageable numbers. That’s why two equal sources add only about 3 dB and why a much quieter source barely moves the needle.

The method

  1. Convert each level Lᵢ to power Pᵢ = 10^(Lᵢ/10).
  2. Sum the powers: P_total = ΣPᵢ.
  3. Convert back: L_total = 10·log₁₀(P_total).

Rules of thumb

Scenarios

Two fans at 70 dB: 73 dB total. 68 dB + 65 dB: Convert → 6.3M + 3.2M = 9.5M → 69.8 dB. 60 dB + 50 dB: 1M + 0.1M = 1.1M → 60.4 dB.

Adding distance

If you also change distance, adjust each source first: in free field, doubling distance is ~−6 dB. Then combine. Example: a 90 dB mower at 1 m and an 80 dB trimmer at 1 m; listener at 4 m. Adjust: mower 90→78 dB, trimmer 80→68 dB; combine ≈ 78.4 dB.

What about A vs C weighting?

If sources have different spectra (one boomy, one bright), A‑weighted values may combine differently from C‑weighted ones. Combine values that use the same weighting to keep assumptions consistent.

Documentation matters

When you report totals, state weighting, time response, distance, and sources. That way, a colleague (or your future self) can reproduce or build on the result.

Planning systems

Designing Setups With Headroom

Knowing how sources combine lets you build systems with a little extra margin. Instead of running several devices right at their limit, you can choose configurations where typical use keeps you comfortably below problem levels, leaving room for occasional peaks without constant clipping or discomfort.

Practical planning

Using Combination Rules When Adding New Gear

Whenever you introduce a new sound source—an extra speaker, a machine, a fan—consider how it will combine with what is already present. If the existing level is already near a limit you want to respect, you may decide to run each element more quietly, rotate usage, or add treatment so the combined result stays comfortable.

Awareness

Noticing When Layers Quietly Accumulate

A single new device might not seem like much, but several small additions can raise the background level more than you expect. Periodically muting or switching off nonessential sources—fans, unused speakers, idle equipment—can restore headroom without compromising what truly matters in the space.

The more familiar you become with how different sources add together, the easier it is to design rooms, setups, and routines that sound intentional instead of accidental.